Bhajans by Bhagavan Sri Sathya Sai Baba - Truth
1.- Sathyam Jnanam Anantham Brahma
Puttaparthi, Sai Kulwanth Hall (1996 Special Discourses )
Description
Sathyam Jnanam Anantham Brahma Sathyam Brahma, Jnanam Brahma, Anantham Brahma.
Listen To Full Discourse
Vedanta is Very Easy to Practise
Puttaparthi, Sai Kulwanth Hall (1996 Special Discourses )
Description
You may master the Vedas and Vedanta, You may be an expert composer of beautiful poems and prose, But if you lack purity of heart, You will ruin yourself. Never forget these good words.
2. Karma Daata Vasama
Description
“Karma data vasama, naruda karma data vasama? Ghana paathambulu chadivina gaani, kuladevatalanu kolachina gaani, Karadavulake poyina gaani, kathina tapasule chesina gaani, Karma data vasama naruda, karma data vasama? Chinna chelimilo munchina gaani, yenni samdrumul ninchina gaani, Kadaventhoraa neeranthe raa, kaavalannanu yekkuva raaduraa!! Karma data vasama naruda, karma data vasama?” O man, can you ever escape destiny? Scholarship, worship of deities, penance in a thick forest, Will not help, O man, to escape from the hands of destiny! One can draw water in a vessel only to its measure and no more, Whether immersing it in a small tank or in a vast ocean!! O man, can you ever escape destiny?
Listen To Full Discourse
Pursue the Guru Within
Description
The true meaning of Guru is “one who dispels the darkness of ignorance”. Another meaning of the word is “one who is beyond attributes and forms, namely, the Supreme Self (The Brahman)”. When this Self is within you where is the need to search for someone to teach you? A teacher who teaches others has had a teacher himself. The one who has no Guru above him is the true guru.
3. Sathyam Jnanam Anantham Brahma
Puttaparthi, Sai Kulwanth Hall (Shiva Rathri )
Description
Sathyam Jnanam Anantham Brahma Sathyam Brahma, Jnanam Brahma, Anantham Brahma.
Listen To Full Discourse
Spiritualise The Bhajans With Heart Felt Devotion
Description
The bhajans this time were done in a ritualistic fashion. Greater attention was paid to raga, tala, laya and shruti (the melody, the beat, the rhythm and the tone). All these are vyavahaarika (conventional qualities). To elevate the bhajans to a spiritual level what are required are true feeling and ecstasy of devotion. The songs should flow nor from the lips but from the heart. When the songs come out of the heart they will be blissful for the ears.
