Surdas
Surdas After sometime Surdas with his Gurudev went to Govardhan from Gokul. Here he saw Shrinathji’s temple and decided to spend the rest of his life at the holy feet of the Lord. Sri Vallabhacharya appointed Surdas as the chief singer of the Shrinathji temple. After that there was no stopping him. Surdas attained a mystical union with Lord Krishna and from then on he could bring before his mind/eyes any episode of the life of Lord Krishna he chose which he then rendered into verse almost as if an eyewitness report. Though Surdas was blind, he used to get the divine darshan of Lord Krishna and Radha Rani, and he could actually tell the attire worn by the Lord. Once, blind Surdas fell into a well. He called upon Lord Krishna for help. Lord Krishna came immediately to help Surdas. Krishna took hold of his devotees hand and pulled him out of the well. When Surdas came out of the well, Krishna began to leave. As soon as Surdas recognised the divine touch of Krishna, his heart sank and with tears filled his eyes. He said हाथ छुड़ाये जात हो, निर्बल जानि के मोय। हृदय से जब जाओ, तो सबल जानूँगा तोय।। हाथ छुड़ाये जात हो, निर्बल जानि के मोय। हृदय से जब जाओ, तो सबल जानूँगा तोय।। Radha Rani also came to meet his devotee. Surdas recognised Radha Rani by the ting-a-ling sound of her anklets. Surdas fell onto her lotus feet and took her anklets. When Radha Rani asked him to return her anklets, he refused. At that moment, Lord Krishna gave him the vision in his eyes and asked him to ask for a wish. Surdas returned the anklets and said- “My Lord, you have already given me everything. After receiving your divine darshan (sight) there is nothing more left for me to see in this world. Please make me blind as before“. Krishna granted him his wish. Surdas had a remarkable talent for memorising Sanskrit hymns such as Srimad Bhagavata along with many others. It was this that made him such an in-demand figure wherever he went, with his ability to pass on such important compositions. He also had a firm grasp of the life and achievements of Krishna and was able to portray all of this in his exquisitely crafted poetry. Many historians say that no one has ever done it better. The fact that the writer was blind makes it all even more remarkable. He went into incredible details about Krishna’s early life, such as where and when he took his first steps and what were his first utterances. He even described the infant cutting a first tooth! These tiny details were woven into poems and songs and some of them are sung even today by parents who see in their children some elements of Krishna. Surdas’s reputation as a singer and a devotee spread far and wide. One day in the court of the mogul emperor Akbar the court singer Tansen sang one of Surdas’s songs. Akbar was charmed. Tansen admitted that the tune and the lyrics were of Surdas, the blind devotee of Lord Krishna. Akbar being a broad-minded Muslim invited Surdas to his court. Surdas declined saying that he only sang in the court of his beloved Krishna. On hearing this Akbar came to Surdas and listened to his prayer songs in the temple. Surdas is best known for his composition the Sur Sagar. Sursagar in its 16th century form contain descriptions of Krishna and Radha as lovers; the longing of Radha and the gopis for Krishna when he is absent and vice versa. In addition, poems of Sur’s own personal bhakti are prominent, and episodes from the Ramayana and Mahabharata also appear. The Sursagar’s modern reputation focuses on descriptions of Krishna as a lovable child, usually drawn from the perspective of one of the cowherding gopis of Braj. Sur also composed the Sur Saravali and Sahitya Lahari. In contempary writings, it is said to contain one lakh verses, out of which many were lost due to obscurity and uncertainty of the times. It is analogical to the festival of Holi, where the Lord is the Great Player, who, in his playful mood, creates the universe and the Primerial man out of himself, who is blessed with the three gunas, namely Sattva, Rajas and Tamas. He describes 24 incarnations of the Lord interspersed with the legends of Dhruva and Prahlada. He then narrates the story of the incarnation of Krishna. This is followed by a description of the Vasant (Spring) and Holi festivals. Sahitya Lahari consists of 118 verses and emphasises on Bhakti (devotion). Sur’s compositions are also found in the Guru Granth Sahib, the holy book of the Sikhs. He is referred to as Bhagat Surdasji by the Sikhs.









